Exhibitio design "The Seventies. The long decade of the short century"

Milan, Italia
Ingresso mostra
Foto © Fabrizio Marchesi
Stendardo esterno
Foto © Mario Bellini Archive
Galleria della stampa
Foto © Mario Bellini Archive
Esterno Moro
Foto © Mario Bellini Archive
Esterno Moro
Foto © Mario Bellini Archive
Muro dei conflitti
Foto © Mario Bellini Archive
Sala Luca Beatrice
Foto © Fabrizio Marchesi
Sala Luca Beatrice
Foto © Mario Bellini Archive
Sala Fumetti
Foto © Mario Bellini Archive
Kar-a-Sutra
Foto © Fabrizio Marchesi
Il Viaggio
Foto © Fabrizio Marchesi
Sala Fumetti
Foto © Fabrizio Marchesi
La stanza di Fiorucci
Foto © Fabrizio Marchesi
Dalisi
Foto © Fabrizio Marchesi
Il Bar
Foto © Fabrizio Marchesi
Stanza dei Videogiochi
Foto © Fabrizio Marchesi
La stanza delle letterature
Foto © Fabrizio Marchesi
La Stanza dei Simboli e Loghi
Foto © Fabrizio Marchesi
La Stanza della Musica
Foto © Fabrizio Marchesi
La stanza di Fiorucci
Foto © Franco Mirabelli
La stanza di Fiorucci
Foto © Franco Mirabelli
La stanza di Fiorucci
Foto © Franco Mirabelli
La stanza di Fiorucci
Foto © Franco Mirabelli
Arquitectos
Mario Bellini Architects
Año
2008
Cliente
Triennale di Milano
Equipo
Mario Bellini with Giovanni Cappelletti
Exhibition fit out
Agorà Allestimenti, Settimo Milanese, (Mi)
Exhibition fit out
GG Spaziotessile, Bareggio (Mi)
Exhibition fit out
Best&Seller, Bollate, (Mi)

The landmark of this exhibition, which is about the 1970s, the “longest decade of a short century”, is the ceiling, transformed to a “cumuliform sky”.
Despite being on a very limited budget, The architect with his long experience in outfitting the spaces of the Triennale manages to connect and make readable the exhibition path with great freedom and freshness.
The white colour of the “cumuliform sky” which represents the space of memory dense with atmosphere, suspended and immaterial, follows the urban path that twists and turns through “streets” and “squares” that connect a series of buildings (the thematic rooms).
Featuring on the inside a rich variety of atmospheres, colours and suggestions, the rooms interpret the “key word” of the exhibition.
And they almost seem like storage boxes full of memories.

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Magazine

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